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Taandro

Taandro, also known internationally as Deciphering Me, is a 2016 Nepali drama film directed by Samten Bhutia, written by Upendra Subba, and produced by Satish Kumar Gautam. The film is based on the autobiographical book Smriti Ka Dobharu written by Ganga Bahadur Lama, a former Maoist cadre who used the nom de guerre Koshish. The film was released internationally on 18 January 2016 and was screened in Nepal from 10 November 2017, with a runtime of 112 minutes, and it was selected for the 19th International Film Festival in Dhaka.

The story is set during the Maoist insurgency in Nepal, the armed conflict between the Maoist rebels and the then Royal Nepalese Army. Koshish, played by Dayahang Rai, is a member of the cultural wing of an underground Maoist group, leading unarmed troops that travel from village to village to spread awareness among the poor, uneducated masses about their rights. One night, in the village of Chailung in the western district of Lamjung, right after the cultural program of skits, songs and dances glorifying the movement, the troop is ambushed by the Royal Nepalese Army. In the melee, a comrade of Koshish and an innocent village girl are killed, and Koshish himself is shot in the left leg.

He manages to escape to a nearby field, where he hides from the army. The next days become a fight for survival: he must bear the physical pain of his wound, the painful memories of the past, and the hostility of the villagers, who blame him for the death of the young girl of their own village. The highlight of the film is when a young village girl lies to the villagers and brings food and water to the injured guerrilla.

Taandro was praised for depicting the complex views of the people of western Nepal during the insurgency, and the performances of the theatre-trained cast, led by Dayahang Rai with Ram Babu Gurung, Maniram Pokharel, Buddhi Tamang, Saraswati Chaudhary and Kamal Mani Nepal, were appreciated, while the cinematography by Purushottam Pradhan and the music of Aadha Sur received mixed responses. The film stands as an important cinematic record of the Maoist conflict.

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