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Katha Kathmandu

Katha Kathmandu is a 2018 Nepali film directed and written by Sangeeta Shrestha, and produced under the banner of Aahana Films, with the film representing an attempt to capture the soul of the capital city through the personal stories of its young residents. The film was released in theaters on 28 September 2018 with a runtime of approximately 125 minutes, and it was promoted as an episodic film built around the theme of the city itself, with its streets, its coffee shops, its rooftops and its busy crowd.

The structure of Katha Kathmandu is built around three interwoven stories, each focusing on a young man trying to find his path in Kathmandu. The first is Noora, played by Saurav, who is trying to find his place; the second is Kavya., who faces love in the background; and the third is Ayushman, who has the journey of a young man between the present and the past. Each story raises its own questions of love, ambition, friendship and loneliness, but the city of Kathmandu itself forms the connecting thread of the film.

The ensemble cast is led by Priyanka Karki, who heads one of the stories, supported by Pramod Agarwal, Ayushman Joshi, Sanjog Koirala, Sandeep K.C.T. and Prekshya Adhikari, with appearances by other young actors. The performances of the cast gave the film its freshness, and the director's youthful writing work brought along the real texture of the capital.

The film was notable for its and its format, attempted to capture life in Kathmandu in various ways, which distinguishes it from the mainstream commercial cinema of its time. The concept of joining multiple stories also links the film with the "city film" tradition - the idea that the city itself is the real hero of the film - as Nepali cinema began to explore alternative narrative structures.

Katha Kathmandu participated in the wave of young, modern Nepali films that were inspired by changing lifestyles of Kathmandu's youth populations, and for its director, it became an important element in the developing career of women directors in Nepali cinema. It is a chronicle of the city of the late 2010s.

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